The tend to exhibit very complex and mildly intense emotions but, that adds to the style and flavor of Kabali. They have simple stories and pleasant realities(not particularly pleasant for that character but, for us yes). In Kabali, just like in most Rajinikanth movie, the characters are very simple. That song has proven to be of awesome aesthetic value. The song ‘Neruppu da’ has been put to the best use. One tends to think that the background music is more of a visceral experience rather than a conscious listening experience. Santosh Narayanan has done an amazing job with music. The film and music work together in order to deliver the best outcome. The background score merges into the song. One cannot see the transition from film to song. This tells us how musically excelling Kabali seems to be. The cinematographer has beautifully handle the camera showing the Superstar in a new manner yet in a phenomenonally stylish manner. The camera has played a major role in lifting the film higher. There are really cute instances which add to the style of filmmaking and Rajinikanth has made it work for Pa.
RAJINIKANTH FILM KABALI FULL MOVIE MOVIE
The fight towards the end of the movie is superlative. One can see Tarantino during the last few scenes. Ranjith has paid homage not only to Rajinikanth but a number of directors. But, this is the new superstar and this is the best superstar. Pa. The new defintion of style that Kabali has come up with for Thalaivar seems to be hard to digest for some people. This makes the crowd go wild(I had the privilege of watching Kabali with an amazing audience).
We see instances that show Billa, Mullum Malarum and Johnny. A real Thalaivar fan can see that this movie really contains Rajinikanth’s best moments throughout his life in the industry. The thing with Kabali is that the film redefines Rajni-style. Homage and tribute has been paid to the superstar. Style has always been an important factor in Rajni movies. The dreams were shot in an unbelievable fashion. There are these dream sequences in the film that are written directed in a new manner. The superstar has not failed in exhibiting these in the best fashion. There a lot more that are a combination of guilt, satisfaction, anger, regret, joy, longing and disbelief. Sadness is one of the most simple emotions expressed in this movie. There are nuances where Thalaivar is cute due to the fact that the emotion was slightly more intense and made to sit with him longer than usual. He makes sure the sadness sits with Rajinikanth as well as the audience. Thalaivar has really made it work with his performance. The usual would be Rajinikanth feeling sad and soon striking back. Now, when I say emotions what do I mean? I mean that Thalaivar has portrayed himself like never before. The new Thalaivar-avatar is fun, emotional and stylish.
Thalaivar has proved that he is really flexible and Pa. One shall see thalaivar in a new avatar not only on the physical level but on a cinematic and an emotional level. This movie requires one to be a hardcore cinema fan and a diehard Rajnikanth fan.
The emotions in this movie are very different from a usual Rajni movie. These two were put together in the most adorable fashion. Ranjith has incorporated a lot of complex emotion and action juxtapositions such as sorrow-satisfaction and a raw, violent and stylish gun fight. There are beautiful moments in this film. Rajinikanth belongs that category of people. The fervor for certain people has never died down. People who have dedicated their lives to cinema. Films that give us the rush when the hero does something. Films that let us identify with the saviour of the story. But, films that one pays homage to tend to be very exquisitely relatable films. There are films that pay homage to other films and directors who pay homage to others and so on. Tribute. Homage and tribute are important and pertinent words in the world of cinema.
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